mİsho

As [British anthropologist Gregory Bateson] saw it then, the depiction of grand ideals was not necessary to make art that might have a positive influence; on the other hand, an intimate knowledge of the local gave author and audience a chance for a more intense experience of connections, complications, and mysteries. International recognition of this or that hugely superior work of art was not important, nor was a discussion of its supposed ideas; what counted, on the contrary, was a frequent, ongoing experience of art, something that might correct our normally reductive and rapacious ways of thinking.